{"id":40338,"date":"2020-12-02T16:35:19","date_gmt":"2020-12-02T06:35:19","guid":{"rendered":"https:\/\/8theb8.com.au\/michael-schack-berbicara-hybrid-tm-2-modul-pemicu\/"},"modified":"2021-05-11T21:41:10","modified_gmt":"2021-05-11T11:41:10","slug":"michael-schack-berbicara-hybrid-tm-2-modul-trigger","status":"publish","type":"post","link":"https:\/\/rolandindonesia.com\/id\/michael-schack-berbicara-hybrid-tm-2-modul-trigger\/","title":{"rendered":"Michael Schack berbicara tentang Hybrid \u2013 TM-2: Modul Trigger"},"content":{"rendered":"\t\t
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Dikontribusikan oleh Michael Schack dan Simon Ayton<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"tm-2_drummer_gal\"<\/a>Ini semua tentang modul trigger Roland TM-2!<\/p>

Untuk pemain drum akustik, duduk di belakang kit drum sementara pemain gitar di band beralih ke gitar lain dan\/atau ke efek pedal lain di sela-sela lagu merupakan pekerjaan yang butuh ekstra tenaga bila mereka hanya memiliki gaya suara tunggal yang disediakan oleh peralatan musik mereka.<\/p>

Sekarang berkat Roland TM-2<\/a>, para pemain drum memiliki pilihan suara yang meningkat dan tidak lagi bergantung pada penempatan dan pengaturan mikrofon oleh bagian front of house engineer.<\/p>

Lebih penting lagi, manajemen suara yang baru ditemukan ini dikendalikan oleh pemain drum saat berada di dekat alat musik yang dimainkan.<\/p>

TM-2 (yang dapat dipasangkan pada penyangga hi-hat atau drum rack) berisi lebih dari 100 suara profesional yang siap dimainkan mulai dari akustik dan perkusi hingga instrumen elektronik modern.<\/p>

Dengan satu drum kit, para pemain drum sekarang memiliki kemampuan untuk secara cepat dan mudah beralih dari genre rock atau metal ke musik elektronik.<\/p>

Ini semua dilakukan melalui sampel suara yang diaktifkan oleh berbagai drum trigger.<\/p>

Suara instrumen versus elemen<\/strong><\/h2>

Dalam TM-2, sampel diatur entah sebagai instrumen (seperti kick, snare atau bass drops) ataupun sebagai elemen.<\/p>

Meskipun \u2018suara instrumen\u2019 dapat dipahami secara cukup jelas, namun elemen dapat dideksripsikan sebagai suara yang dapat meningkatkan atau berkontribusi positif pada suara alat musik Anda untuk membawanya ke level lain.<\/p>

Contoh yang baik dari elemen adalah bagian attack atau click dari sebuah beater yang memukul sebuah koin yang dilekatkan ke bass drum head di mana pemain drum dapat membuat layer dari suara drum mereka sendiri untuk suara kick drum yang lebih jelas.<\/p>

Ini menciptakan suara ideal untuk efek gaya kick ganda metal secara cepat, snare akan berdetak dari bawah snare (untuk realisme tambahan) atau untuk mensimulasikan sebuah mikrofon yang ada di bawahnya.<\/p>

Terdapat sebuah elemen reverb tail yang dapat dilapisi dengan suara dry snare yang ada ketika suara drum yang lebih besar dan lebih basah diperlukan. Pemain drum juga dapat menggunakan sub-frequency thump dari sebuah drum bass yang diletakkan mikrofon di dekatnya dengan sebuah elemen speaker woofer.<\/p>

Ini adalah sesuatu yang sering kali dilakukan di level studio yang sekarang dapat direplikasi langsung di atas panggung manapun.<\/p>

Semua elemen ini adalah inklusi standar dalam TM-2 dan dapat ditambahkan dengan menyimpan suara asli ke kartu memori SDHC (yang memiliki slot kartu SDHC bawaan).<\/p>

Pilihan Trigger<\/strong><\/h2>
\"Seri<\/a>
Seri Roland RT-30 Trigger Akustik<\/figcaption><\/figure>

Trigger yang diperlukan untuk mengaktifkan suara yang ditingkatkan tersebut akan sangat bergantung pada gaya kit yang dimainkan. Serangkaian trigger dari seri RT<\/a> telah diciptakan untuk digunakan dengan kit akustik dan dapat ditempatkan pada kick, snare dan toms. Berbagai trigger yang sama ini juga kompatibel dengan seri TD Roland V-Drums, TMC-6, seri SPD, dan seri HPD.<\/p>

Baru-baru ini Roland cukup beruntung untuk \u2019menjerat\u2019 <\/i> beberapa waktu bersama Michael Schack yang menghasilkan video berikut. Ini tidak hanya menunjukkan trigger pada seri TM-2 dan RT saat beraksi, namun juga menjelaskan (seperti hanya Michael yang bisa) apa yang bukan<\/i> arti dari hibrida ketika membicarakan tentang fleksibilitas hybrid dari Roland TM-2.<\/p>

\"\"Salah satu trigger tambahan yang disebutkan oleh Michael dalam video itu yaitu BT-1 Bar Trigger Pad<\/a> yang memungkinkan pemain drum untuk secara cepat dan mudah menambahkan trigger elektronik ke drum kit apapun (akustik ataupun elektronik). Bentuknya yang melengkung juga memungkinkannya untuk ditambahkan tanpa mempengaruhi tata letak kit. Pemain drum tidak akan menyelesaikan lagu pertama mereka menggunakan sistem ini sebelum para pendengarnya mulai bertanya “dari mana itu berasal?”, “bagaimana dia melakukan itu?” dan “di mana saya mendapatkannya?”<\/p>

Sama halnya dengan jajaran trigger PDX (seperti pada PDX-8<\/a>, PDX-100<\/a> dan PDX-6<\/a>) akan bekerja pada hampir semua drum kit (akustik ataupun elektronik) yang akan meninggalkan decak kagum untuk para pendengar\/penonton konser mereka. Untuk menunjukkan kekaguman yang lebih banyak, tonton dan dengarkan saat Michael Schack mendemonstrasikan TM-2 dengan jajaran trigger BT-1 dan PDX.<\/p>

Seperti yang Anda lihat (dan yang lebih penting yakni mendengarkan), opsi suara berlapis dan serbaguna yang disediakan TM-2 hanya dibatasi oleh imajinasi dari pemain drum. Seperti halnya pemain drum manapun yang menggunakan brush (komponen dari drum), kita baru mulai menggali permukaannya saja.<\/p>

Tidak hanya untuk pemain drum saja<\/strong><\/h2>

Di luar pengaplikasian drum yang sudah jelas, TM-2 menawarkan peluang lain bagi para engineer yang dapat menggunakan perangkat ini sebagai alat tracking.<\/p>

Dengan menggunakan TM-2 untuk merekam berbagai not kick dan snare ketika mikrofon juga merekam suara pada saat yang sama, Anda akan mendapatkan peluang tambahan saat melakukan mixing suara di studio.<\/p><\/blockquote>

Adalah hal yang mungkin untuk mengatur not-not musik MIDI yang direkam tersebut ke layer suara yang baru atau suara pengganti untuk mempercepat proses menemukan suara drum yang ideal untuk musik yang sedang direkam.<\/p>

Terdapat kemungkinan peluang yang tak terbatas. Tetap bersama kami saat kami menggali lebih dalam mengenai setup spesifik dari akustik dan juga elektronik di artikel berikutnya.<\/p>

Artikel lain dalam seri ini:<\/strong><\/h2>

Michael Schack berbicara tentang Hybrid: Setup Kit Elektronik<\/a><\/p>

Michael Schack berbicara tentang hybrid: Setup Kit Akustik<\/a><\/p>

Michael Schack berbicara tentang Hybrid: SPD-SX vs TM-2<\/a><\/div>
\u00a0<\/div>

Memperluas dan menyesuaikan V-Drums<\/a><\/p>

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Produk-produk terkait<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Roland BT-1 Bar Trigger<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Seri Roland RT-30 Trigger Akustik<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tFind a Store<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Dikontribusikan oleh Michael Schack dan Simon Ayton https:\/\/www.youtube.com\/watch?v=e-poceOKoOk Ini semua tentang modul trigger Roland TM-2! Untuk pemain drum akustik, duduk di belakang kit drum sementara […]<\/p>\n","protected":false},"author":19,"featured_media":36895,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[9602,9606,9600],"tags":[7363],"class_list":["post-40338","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-how-to-articles-id","category-buying-guides-id","category-news-views","tag-d_hybrid"],"yoast_head":"\nMichael Schack Berbicara Tentang Drum Hybrid dengan Modul TM-2<\/title>\n<meta name=\"description\" content=\"Michael Schack berbicara tentang cara mengintegrasikan Modul TM-2 Trigger ke dalam setup hibrida antara drum akustik dan drum elektronik\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rolandindonesia.com\/id\/michael-schack-berbicara-hybrid-tm-2-modul-trigger\/\" \/>\n<meta property=\"og:locale\" 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