SuperNATURAL Technology Explained…

In brief, SuperNATURAL technology improves the way the instrument responds to your playing, making it feel far more natural and authentic. For years, digital instruments have faithfully reproduced the sound of an acoustic instrument. But digital instruments usually feel different to their acoustic counterparts, due to the way they respond to your playing.

Author: Roland UK Features Team

SuperNATURAL technology incorporates ‘Behavior Modeling’ which takes the playing experience a step further than just offering a ‘detailed’ sound. By accurately reproducing the behavior and responses of an acoustic instrument, it transforms the way a digital drum kit responds, therefore; giving the drums a dynamic and natural ‘feel’ that until now has not been possible.

SuperNATURAL technology was first introduced in Roland’s prestigious digital pianos and synthesizers. When developing the next generation of V-Drums, Roland’s engineers felt that SuperNATURAL technology could be developed further and adapted for V-Drums.

What are drum triggers? Find out here!

What is Behavior Modeling?

To understand how SuperNATURAL technology works, we first need to understand how an acoustic instrument behaves. Let’s consider a snare drum roll. If you play a single or double stroke roll lightly on the snare drum, it has a soft tone, a quiet volume and the drum responds in a certain way with less ‘attack’. As you play harder, not only does the volume get louder, but the tone changes too. It now responds differently, with the attack now a lot more pronounced. This transition in tone, volume and response happens in a smooth and seamless way. Every strike is different, and the drum reacts differently to each strike.

Okay, So How Does SuperNATURAL Technology Work?

SuperNATURAL processes many elements to model convincingly the behavior of acoustic instruments:

  • It processes your playing input faster than ever before.
  • It captures detailed sensing information, such as rim shot strength and the player’s position on the pad.
  • The sound engine produces sounds that respond and change smoothly and dynamically.

Together, these elements create an authentic ‘behavioral reaction’, or to put it another way, the drums play and feel just how you’d expect them to. There are three distinct stages to modeling this behavioral reaction:

  1. How the pad or cymbal physically feels when you hit it. For example, the Roland mesh head has a more natural feel when the drum stick hits it, responding with an acoustic like bounce and rebound that feels natural.
  2. The sensing within the pad is high quality and accurately detects hit strength, position and interval (i.e. the time between each hit). This information is then sent to the module.
  3. The sound engine within the module processes all of the information sent by the pad and then recreates the sound accurately and smoothly. This is the key to ensuring the transition in volume and tone is dynamic and natural.

Because the sound engine processes the player’s input very quickly, it means that every stroke can be processed individually. Therefore, dynamics, such as ghost notes, flams, buzz rolls and rim shots feel far more realistic. This removes the ‘machine gun’ effect associated with previous digital drum kits, where every hit can sound the same as the last.

So now, if you can think it, you can now play it – but only on a SuperNATURAL V-Drums kit.

Related Article

What are drum triggers?

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V-Drums

FREE INDONESIAN SCENE / STYLE PACK DOWNLOADS 

Dangdut, Koplo, Pop Sunda, Melayu, and more for the GO:KEYS 5 and GO:KEYS 3 Music Creation Keyboards

Roland GO:KEYS 3 and GO:KEYS 5 portable keyboards in multiple colors

Included in the Indonesian Styles Download

As requested by many Roland GO:KEYS 5 and GO:KEYS 3 users, we have produced today’s popular Dangdut and Nusantara styles, these styles are suitable for use at events and ceremonies.

* When using Indonesian scene / style packs, make sure to update to the latest version of the system program.

Dangdut Klasik

Generally used to accompany general dangdut songs with 4/4 rhythm and 120-180 tempo.

Dangdut BAND

General Dangdut rhythm with modern western instruments.

Slow Dangdut

Used to accompany dangdut songs with a slow tempo.

Fast Dangdut

Used to accompany dangdut songs with a fast tempo of 200-240, for example Goyang Senggol and Reynold Pangabean’s song.

Dangdut 3-4

Dangdut rhythm with 3/4 time signature.

Dangdut Kroncong

A sub-genre of campursari which is a combination of dangdut and keroncong.

Koplo Basic

Sub-genre of Dangdut that developed in Java’s north coast, known for its distinctive rapid drum pattern.

Koplo Jaranan

This is a Koplo music rhythm with elements of ethnic blends from Jawa Timur and Jawa Tengah but played freely without the standard Slendro or Pelog scales.

Koplo Kempul

Koplo music with elements of the Kempul instrument.

Koplo Pargoy

Koplo music to accompany Pargoy dance, made famous on Tiktok.

Koplo Reggae

Koplo music mixed with Reggae music.

Pop Sunda Klasik

Sundanese music combines traditional instruments such as the kecapi (harp), flute, etc., with western instruments such as bass and drums.

Pop Sunda Modern

Sundanese music with traditional instruments with more western instrument sound elements.

Jaipong Rampak

Jaipong dance music with Rampak instrument nuances.

Gambang Kromong

Gambang Kromong (or written Gambang Komong) is a kind of orchestra that combines gamelan with Chinese musical instruments, such as Sukong, Tehyan and Kongahyan. The name Gambang Kromong is taken from the names of two percussion instruments, namely Gambang and Kromong. Gambang Kromong is Betawi music which is most evenly distributed in the Betawi cultural area, both in DKI Jakarta itself and in the surrounding area (greater Jakarta). In general, musical performances of Gambang Kromong are presented at folk festivals, weddings, Chinese New Year parties, welcoming guests, as well as at Tapekong events 

Tarling

Tarling originally appeared in 1931 in Indramayu, at that time a Dutch commissioner asked a local resident named Mang Sakim to repair a guitar. This opportunity was used by Mang Sakim and his son named Sugra to learn guitar tones and compare them with gamelan pentatonic tones. The beauty is even more complete when the strings of the guitar are accompanied by a luscious bamboo flute.

Pop Melayu

Pop music genre with the influence of Malay rhythms. It became popular in the 2000s through bands such as ST12 and Kangen Band.

Pop Minang

The development of this music originated from various Minang regions. Influenced by western music culture from colonial era and became popular in 1970-1980 by immigrants. Minang pop music contains poetry about love for the motherland, ethnicity, the struggle to live abroad, homesickness, etc. 

Zapin Melayu

Zapin is a dance music originating from the country of Yaman, which is popular among the Melayu community in Indonesia. Zapin is believed to have entered the archipelago under the influence of Persians and Arabs who acculturated the local Malay culture while spreading Islamic teachings from the Middle East around the fourteenth century. The accompanying music is composed of two main instruments, the Gambus string instrument and three Marwas/Marawis percussion instruments.

Kroncong Klasik

Traditional music with Portuguese influences using instruments such as bass, guitar, violin, ukulele and flute. Its distinctive rhythm can be heard in the bassline and guitar strumming.

 

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This is a legal agreement between you (an individual or a corporation) and Roland Corporation (herein referred to as "Roland") regarding the usage of this software product (herein referred to as "SOFTWARE"). Please read carefully the terms of this License Agreement before installing or using the SOFTWARE. By installing, copying, or starting the use of the SOFTWARE, you hereby consent to the terms of this License Agreement.

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(b) You may make one copy of the SOFTWARE for backup purposes only (on floppy disk, magneto optical disk, DAT or the similar media), but you are prohibited to make any other copy.

2. COPYRIGHT
The SOFTWARE and its copyrights are the property of Roland and are protected by all international copyright laws and treaties.

Therefore, you must treat the SOFTWARE like any other copyrighted material (i.e., a book or a CD). All rights that are not provided for herein are reserved by Roland.

3. OTHER RESTRICTIONS
(a) You shall not modify, change, reverse engineer, decompile, or disassemble the SOFTWARE and the copyright notice and copyrighted logo.

Unauthorized copying, uploading to another network, distributing, modifying and/or attaching this software to other media or any other sales item is expressly forbidden.

(b) You shall not loan, rent, lease, sublicense or transfer the SOFTWARE, either in whole or in part, to any third party. But you may permanently transfer the SOFTWARE and accompanying printed materials provided you retain no copies of the Software and recipient agrees to the terms of this License Agreement. If the SOFTWARE has been updated or upgraded, any transfer of the SOFTWARE must include the most recent update and all prior versions.

(c) If this SOFTWARE contains multiple templates of media (such as floppy disks and CD-ROM) and these media contain the same software, you may use only the one form of media that is appropriate for your computer. You shall not use the remaining form(s) of media on another computer.

(d) You may not use the Software from multiple locations of a multi-user or networked system at any time.

4. NO WARRANTY
Roland makes no warranty, either expressed or implied, with respect to any of the software, including, without limitation, any implied warranties of merchantability or fitness for a particular purpose.

5. NO LIABILITY
Roland can not reply to inquiries regarding this system software updater. Please read the instructions completely, and please note that you should use the SOFTWARE AT YOUR OWN RISK.

In no event shall Roland be liable to end-users for any damages whatsoever, including but not limited to financial damages for any loss of profits or information arising from the use of, or inability to use this product. The foregoing provision is effective even if Roland has been advised of the possibility of such damages. Even if the SOFTWARE has any material, verifiable, and reproducible program errors, Roland shall have no liability to modify such errors.

6. TERMINATION OF THE LICENSE
Roland reserves the right to terminate this License Agreement if you fail to comply with any of the terms of this License Agreement. Upon such termination, you shall immediately stop using the SOFTWARE.

7. GENERAL
(a) Any provision of this Agreement which is prohibited or unenforceable in any jurisdiction shall be ineffective to the extent of such prohibition or unenforceability without affecting, impairing or invalidating the remaining provisions hereof.

(b) This License Agreement shall be governed by and construed in accordance with the laws of State of California without reference to the principles of conflicts of laws.

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Subscribe to Download the Patches

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Marketing Opt-In *
Roland Software License Agreement

In no event shall Roland Corporation be liable to end-users for any damages whatsoever, including but not limited to financial damages for any loss of profits or information arising from the use of, or inability to use this updater. The foregoing provision is effective even if Roland Corporation has been advised of the possibility of such damages.

This is a legal agreement between you (an individual or a corporation) and Roland Corporation (herein referred to as "Roland") regarding the usage of this software product (herein referred to as "SOFTWARE"). Please read carefully the terms of this License Agreement before installing or using the SOFTWARE. By installing, copying, or starting the use of the SOFTWARE, you hereby consent to the terms of this License Agreement.

1. GRANT OF LICENSE
Roland grants you the following non-exclusive rights to use the SOFTWARE in accordance with the terms of this License Agreement.

(a) You may only use the SOFTWARE on a specific single computer at one time. Use of the SOFTWARE shall include loading the SOFTWARE into temporary memory (i.e., RAM) or installing the SOFTWARE into storage media (i.e., hard disk) of the computer on which you will use the SOFTWARE.

(b) You may make one copy of the SOFTWARE for backup purposes only (on floppy disk, magneto optical disk, DAT or the similar media), but you are prohibited to make any other copy.

2. COPYRIGHT
The SOFTWARE and its copyrights are the property of Roland and are protected by all international copyright laws and treaties.

Therefore, you must treat the SOFTWARE like any other copyrighted material (i.e., a book or a CD). All rights that are not provided for herein are reserved by Roland.

3. OTHER RESTRICTIONS
(a) You shall not modify, change, reverse engineer, decompile, or disassemble the SOFTWARE and the copyright notice and copyrighted logo.

Unauthorized copying, uploading to another network, distributing, modifying and/or attaching this software to other media or any other sales item is expressly forbidden.

(b) You shall not loan, rent, lease, sublicense or transfer the SOFTWARE, either in whole or in part, to any third party. But you may permanently transfer the SOFTWARE and accompanying printed materials provided you retain no copies of the Software and recipient agrees to the terms of this License Agreement. If the SOFTWARE has been updated or upgraded, any transfer of the SOFTWARE must include the most recent update and all prior versions.

(c) If this SOFTWARE contains multiple templates of media (such as floppy disks and CD-ROM) and these media contain the same software, you may use only the one form of media that is appropriate for your computer. You shall not use the remaining form(s) of media on another computer.

(d) You may not use the Software from multiple locations of a multi-user or networked system at any time.

4. NO WARRANTY
Roland makes no warranty, either expressed or implied, with respect to any of the software, including, without limitation, any implied warranties of merchantability or fitness for a particular purpose.

5. NO LIABILITY
Roland can not reply to inquiries regarding this system software updater. Please read the instructions completely, and please note that you should use the SOFTWARE AT YOUR OWN RISK.

In no event shall Roland be liable to end-users for any damages whatsoever, including but not limited to financial damages for any loss of profits or information arising from the use of, or inability to use this product. The foregoing provision is effective even if Roland has been advised of the possibility of such damages. Even if the SOFTWARE has any material, verifiable, and reproducible program errors, Roland shall have no liability to modify such errors.

6. TERMINATION OF THE LICENSE
Roland reserves the right to terminate this License Agreement if you fail to comply with any of the terms of this License Agreement. Upon such termination, you shall immediately stop using the SOFTWARE.

7. GENERAL
(a) Any provision of this Agreement which is prohibited or unenforceable in any jurisdiction shall be ineffective to the extent of such prohibition or unenforceability without affecting, impairing or invalidating the remaining provisions hereof.

(b) This License Agreement shall be governed by and construed in accordance with the laws of State of California without reference to the principles of conflicts of laws.

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THIS TD-50 CUSTOM PATCHES

Created by Roland V-Drums specialist Simon Ayton, these patches were designed using the internal factory sounds and many of the techniques covered in the TD-50 guide. Enjoy exploring the possibilities!